Exhibition catalog including summaries, plans and photographs of four projects by architect Christian Kerez: House with one Wall, Zurich; Museum of Modern Art, Warsaw; School Building Leutschenbach, Zurich; and Apartment Building Forsterstrasse, Zurich. Includes foreword by Moritz Küng and essays by Hubertus Adam, Marcel Andino Velez, Tibor Joanelly, and Hans Frei. With essays ...(展开全部)

Exhibition catalog including summaries, plans and photographs of four projects by architect Christian Kerez: House with one Wall, Zurich; Museum of Modern Art, Warsaw; School Building Leutschenbach, Zurich; and Apartment Building Forsterstrasse, Zurich. Includes foreword by Moritz Küng and essays by Hubertus Adam, Marcel Andino Velez, Tibor Joanelly, and Hans Frei. With essays ...(展开全部)

This monograph of work and projects by Venezuelan-born, Swiss-based architect Christian Kerez seeks to elucidate his particular approach, which emphasises how architecture does not exist in and of itself, but is rather a reflection of a practice of questioning, and of working with the unexpected. At its core, the things we take for granted must be seen again, in a new light. Ar...(展开全部)

This monograph of work and projects by Venezuelan-born, Swiss-based architect Christian Kerez seeks to elucidate his particular approach, which emphasises how architecture does not exist in and of itself, but is rather a reflection of a practice of questioning, and of working with the unexpected. At its core, the things we take for granted must be seen again, in a new light. Ar...(展开全部)

Ugliness or unsightlinessis much more than a quality or property of an individual’s appearance—it has long functioned as a social category that demarcates access to social, cultural, and political spaces and capital. The editors of and authors in this collection harness intersectional and interdisciplinary approaches in order to examine ugliness as a political category that is ...(展开全部)

In our 2005 monograph Kengo Kuma: Selected Works, celebrated architect Kengo Kuma boldly declared that his ultimate aim was to "erase architecture" so that his buildings became one with their surroundings. In recent years he has pursued this goal by focusing primarily on imaginative and unexpected use of materials, creating hypnotizing surfaces that evoke subtle visual sensatio...(展开全部)

Images can be studied in many ways--as symbols, displays of artistic genius, adjuncts to texts, or naturally occurring phenomena like reflections and dreams. Each of these approaches is justified by the nature of the image in question as well as the way viewers engage with it. But images are often something more when they perform in ways that exhibit a capacity to act independe...(展开全部)

In our 2005 monograph Kengo Kuma: Selected Works, celebrated architect Kengo Kuma boldly declared that his ultimate aim was to "erase architecture" so that his buildings became one with their surroundings. In recent years he has pursued this goal by focusing primarily on imaginative and unexpected use of materials, creating hypnotizing surfaces that evoke subtle visual sensatio...(展开全部)